How do drums make sound
Author: t | 2025-04-25
How do drums make soundDrum sound secrets mixing studio How to make your drums sound tight and powerful // drums processingHow do drums make sound. Check Details Drum building secrets build a drum set in 10 simple steps free pdf
How Do Drums Make Sound
A banjo. Let’s start with the drums. 1. DrumsHere are the drums with nothing on them:All the tube processing will eventually get us here:There’s a five decibel difference, but even loudness matched, the tubed-up drums have more character, heft, bounce, and drama. Here were the individual moves:Adding power to a kick with multiband tube-based excitement Ozone Exciter, used in multiband, can juice up the power of the kick like so: We’re just adding tube saturation to everything below 120 Hz. That’s it.Helping the kick punch through the drums with heavy-duty tube compressionIn the context of the mix as a whole, I noticed that the kick wasn’t punching through as much as I’d like. Here I used this goody from Native Instruments Guitar Rig 7: I sent the kick to a parallel aux and put this bad boy on the channel. I didn’t do it for any compression effect, no. This thing just has a heavily saturated sound perfect for kick-cut in a mix. I haven’t even touched the settings. It’s all default.Here’s without, in context of the song:And here’s with:Note, I’m exaggerating the bus here; it’s 3 decibels higher than I wound up having it, so you could hear it more. Making a “fake room sound” when no room mics were providedA kick drum, a snare top mic, and two overheads – that’s how these drums were recorded. I wanted more room sound, so I used bus-routing and two tube processors to make a “fake room” channel. First, I sent all the drums to a “fake room mic” bus. In solo it sounds like this:First, I slapped SPL TwinTube on this “fake room” parallel aux. Here’s what the Plugin Alliance processor sounded like: The level of harmonic saturation is already giving me that mid-forward room sound I want. But, there’s
How Do You Make a Kick Drum Sound Good? - Drum Alert
Addictive Drums 2: Custom Collection ReviewXLN Audio Addictive Drums 2 is the perfect drum library VST. It offers an incredible acoustic drum library that is packed with realistic and natural sounds, and the engine that powers the plugin is smooth and easy to use.The sounds included with the XLN Addictive Drums Creative Collection are truly remarkable. They included rare and vintage kits that are so impressive. I find the customization and fine-tuning of the VST to be astounding and it’s one of the best drum VST plugins around.All you need to do is listen to the demos and sound clips of the drum kits on YouTube to hear how good the drums sound, and what they can add to your mixes. The drum sounds are without a doubt some of the most realistic available.The drum software includes 6 of the most popular drum libraries from XLN Audio and over 6,000 grooves to help you find your perfect sound. The on board effects as well as Tone Designer and Transient Shaper are some of the best around.If you’re ready to make the ultimate drum tracks for your mixes then the XLN Audio Addictive Drums 2 is the best drum VST software for the money, period. View Price At Gideon Waxman Most Immersive Toontrack Superior Drummer 3 Superior Drummer 3 builds upon the success of the previous versions with a vast selection of samples that can be shaped and molded as you wish using the onboard effects processor. Sample Quality Detail OnboardMake MIDI Drums Sound Real: Do This
SamplesAdjust PitchAdd Reverb EffectsDEVIL DRUMMR | PC26. AfropluginAfropluginWhether you want to create fresh new beats for your latest track or inject some authentic African flavor into your music, Afroplugin is the perfect solution. This powerful and easy-to-use drum kit rompler comes with 120 expertly crafted sounds, ten presets, and is available for Mac and Windows. 120 Sounds10 PresetsAfroplugin | PC & MacFrequently Asked QuestionsWhat Does a Drum VST Do?Drum plugins usually work by simulating the sound of different types of drums, cymbals, and percussion instruments. They often include a range of presets that allow you to quickly achieve a particular sound. They also give you the flexibility to tweak the parameters until you get exactly the results you want.Drum plugins can be used to create or change the sound of drums in a digital recording. They can add punch, warmth, and character to a drum track and can help to make it sound more realistic.There are many different types of drum VSTs, each with its own unique features. Some of the most popular ones include Native Instruments’ Abbey Road Vintage Drummer, Steven Slate Drums 4, and XLN Audio’s Addictive Drums 2. Each of these programs has its own strengths, so it’s worth trying out a few different ones to see which one you like best.How Do You Use a Drum Kit VST Plugin?You can use a drum kit VST plugin in your music production software in a variety of ways. One option is to load the plugin into your DAW and create tracks for each of the drums (kick, snare, hi-hat, etc.). You can then record yourself playing these tracks or import audio files of someone else playing them.Another way to use a drum kit plugin is to create loops. You can load up a preset groove or loop and. How do drums make soundDrum sound secrets mixing studio How to make your drums sound tight and powerful // drums processingHow do drums make sound. Check Details Drum building secrets build a drum set in 10 simple steps free pdf How many different ways of making sounds can you see in the video? For example, the drummer makes a sound by hitting the drum with a drum stick. How else do people produce sounds?How do I make drums in flstudio sound like legit drums? (and real drums
Then set the attack time so the transients are shining through unaffected and the rest of the signal is getting compressed, ultimately making the audio more consistent dynamically. Try the release settings until it fits the song.Compressing Reverb And DelayUsing a compressor on a reverb bus can really tighten up the mix, if the reverb tends to be getting too loud and out of control dynamically. Some heavy compression can sound quite nice but be careful not to over do it and remove the life. The same goes for delay busses, compression can really tame the sound and stop anything from going too out of control. Also, using EQ on a reverb or delay bus is a great tool for removing any potential muddiness that may be happening.Making The Toms PunchCompression on toms can create some amazing results. Using heavy enough compression along with a gate can make your tom drums seriously punchy. Even if you don't have individual tom mics and just an overhead pair, or just a single overhead mic, compression can really make the toms punch out. Think of songs like Shine On You Crazy Diamond by Pink Floyd. The compression on the toms make them really punchy and beefy, really adding to the mix.Make Your Drum Overheads Sound AmazingCompressing the drum overheads is a great way to make your drums pop. You can tame any unwanted transients with the attack and release times. U can really smooth out and make the drums more consistent and make your drums sound a lot better. If your going for a heavier drum sound, you can really brick wall compress the drum overheads and get a really juicy sounding drum sound. Really harsh ratio and threshold setting can make the cymbals ring out for ages combined with a long releaseHow do drums make different sounds? – Ecce216.com
Learning how to record drums can feel a bit overwhelming at first, but don’t worry – with some preparation and the right gear, you’ll be able to achieve that professional-quality drum sound right from your home.To get started, make sure your home recording studio is equipped with essential tools like a Digital Audio Workstation (DAW) and high-quality microphones. Setting everything up correctly and adjusting your recording levels will ensure you capture your best performance.Another crucial aspect is tuning your drums to perfection. When each drum is tuned to its optimal sound, it can greatly enhance the clarity and resonance of your recordings. Table of ContentsAs you delve more into the recording process, keep your focus on maintaining even dynamics and consistent playing. This attention to detail will make a significant difference when mixing your drums, giving your tracks that polished, professional edge.Remember, with a bit of practice and patience, you can make recording drums an enjoyable and rewarding experience. Embrace the journey, and soon you’ll be excited to share your music with the world.Key TakeawaysSetup is crucial for great drum recordings.Tuning impacts the sound quality significantly.Consistent playing enhances the final mix quality.Setting Up Your Home Recording StudioCreating a successful home recording studio for drums requires selecting the right equipment, tuning your drum kit properly, and understanding the importance of acoustic treatment. These elements together ensure high-quality recordings that capture the true essence of your drum sound.Choosing the Right EquipmentTo start, you’ll need a reliable computer with sufficient processing power tohow do drums make sound!!! by YES School on Prezi
Every single case. Sometimes you’ll need to add more processing, like upward compression, limiting, or de-essing, but usually, that combination in that specific order will do.EQ goes first to balance the frequencies, then you compress the signal to control dynamics, and then add saturation to create excitement and punch. Finally, you add or send to-room reverb to create depth. How Do I Get Punch on My Drums?The easiest way to get a punch on your drums is by using parallel compression on the kick and snare. You can also add punch by compressing the overheads harder and gating the snare or, if you haven’t, by aligning phase.If you’re working with live drum recordings, phase alignment is most likely what’s causing the lack of punch in your drums. If you’re mixing sampled drums, phase is often out of the question, so compression and/or distortion will usually work great. How Do I Know How Much Is Too Much Compression?When the drums sound flat and lifeless, bouncy, and sometimes distorted, it’s fair to say it’s too much compression. You can also know that you have too much compression because the drums will completely lose their punch, and they’ll start to sound muddy because of the lower frequencies of the kick coming upfront.To give an example of how too much compression sounds like on drums, listen to these uncompressed drums and the difference between the same track compressed effectively and overcompressed:Effectively compressedNotice how everything seems glued together and the reverb from the room mics comes forward giving the whole track a lot more attitude and depth.OvercompressedNotice how the attack of the drums disappeared and everything sounds squished together without energy.Uncompressed What Is The Best Compression Setting For Drums?It depends on the drums, the genre, the mood, and the context, but some general guidelines are keeping the ratio around 4:1 or below, using faster release times with intermediate attack, and reducing no more than 4dB of gain.Typically, these settings will also depend on the drum element you’re compressing. For instance, you wouldn’t compress a snare drum like you would your overheads or your drum bus because they’re very different things and need a different treatment, so there’s not a one-for-all compression formula.Javier is a mixing and mastering engineer who specializes in Rock and Hip Hop, and writes and produces his own music. He is additionally a TV, Film, and advertising audio editor who has beenHow to make drums sound real?
Stage (behind vocals and bass) cutting out some trebles from the reverb signal to create depth or distance. You can give drums some reverb but not too much, just enough to transfer the 3d spatial information, be scarce, only the snare needs a larger reverb or more ambience. Be scarse to use reverb on drums. Only when you mute the reverb, you will notice the change to the dry signal (inside the whole mix, do not solo). Only give enough reverb for drums to transmit the 3d spatial information to the listener. Listen dry and with reverb and decide how much is needed. In the drum section, apply a little less reverb to the Basedrum then to the other drum tracks. The Basedrum can sound flabby when too much reverb is applied. The snare can have a larger and louder reverb. Mostly the reverb tail will end rhythmically short, just before the next beat or bar appears. Reverb can be long (tough interfering with the rhythmic content) and afterwards shortened with a gate, to make them rhythmically stand inside the mix we sync them to tempo when we can. Avoid mud by setting a low cut EQ in front of the reverb or behind (cutting). When reverb is applied on drums, try to make the reverb sound in rhythm with the dry-signal. Maybe by gating the reverb sustain in sync with tempo. Use mostly no pre-delay or Basedrum.Sound: For more Kick drum, use sine-wave 60 Hz, Juno 60 Saw tooth. Set pitch for a high note and run this with the original bass drum, this is a house style bass drum. Combine a short transient kick with the HI hat or with a low frequency release from another. Add a closed HI hat (higher click) on the kick transient part,. How do drums make soundDrum sound secrets mixing studio How to make your drums sound tight and powerful // drums processingHow do drums make sound. Check Details Drum building secrets build a drum set in 10 simple steps free pdf How many different ways of making sounds can you see in the video? For example, the drummer makes a sound by hitting the drum with a drum stick. How else do people produce sounds?
How do you spell the sound that the drums make after a joke?
The sake of analysis, take a look at the waveform displayed in my DAW for this sample, and we can see that its dynamics need to be contained, as you can even see some peaks almost as high as 0dB.Drums are the backbone of a song, so they need to sound dynamic, open, and exciting, for us to engage with the groove. Overcompressed drums sound dull, lazy, and dead, which basically kills the entire record before it was born.Also, you need to make sure that things are on the right track, or else you’ll be creating new problems with the processing that you’ll still have to fix later on in the mix.To avoid that from happening, check this before thinking about compression:Phase alignmentProper editingGain structureLevel balanceAnd ask yourself why do are you considering using compression and what problem are you looking to solve. How To Set Up Your Compressor For Best ResultsPlease provide example audio throughout this piece to show how to compress drums.1. Proper Gain StructureThis is key. Before applying any sort of processing, you first need to properly set your gain structure. We recommend using a trim plugin or doing it directly to your audio clips depending on your DAW, and setting values that go from -9 dB to -16 dB. Balancing your gain structure will give you a cleaner and more professional sound because most plugins are optimized to work their best at these values, which is especially important when you work with analog gear emulations. This will also prevent you from getting your mixes tarnished by digital clipping, which will cause several problems with aliasing, create unwanted noises, and overall make your mix sound bad and amateur.Hear the difference using the same settings on an SSL channel strip emulation:No gain structureListen to how it sounds overcompressed, bouncy, and even distorted.After gain structureHear how it has way more punch and sounds so much more natural and exciting.2. Choosing The Right Compressor StyleDrums are almost exclusively transient information, so to compress drums you’ll need a compressor with very fast attack and release settings in order to tame down the spikes without destroying their dynamics. That being said, you can’t go wrong with FET and VCA compressors, since they allow the fastest response during processing and lead to a more transparent and natural compression.Listen to the difference between using an 1176 (FET), an API2500 (VCA), and an LA2A (optical).OpticalHow do You Make an Electronic Drum Kit Sound Real?
No matter what DAW or beat machine you use FaT Drums 2 are guaranteed to work as all one shots are 16 44.1 wave files. This Drum kit is for any producer and can be utilized in any genre make sure to be on the lookout for more installments of FaT Drums and kits from FaT TrAk! All sounds were created with the producer in mind to elevate your overall sound. The drums were created to give you a warm FAT sound. FaT Drums are from FaT TrAk's personal stash of drum kits he has created over the years. FaT Drums 2 is the second installment in the FaT Drums series for the everyday producer looking for the fattest ORIGINAL kicks, snares and crisp hi hats to make your beats FAT! Samples were created and layered in an MPC 2500 and tracked into Pro tools with a Neve 1073 and Studer A800 tape machine bringing that vintage 16-bit sound.. How do drums make soundDrum sound secrets mixing studio How to make your drums sound tight and powerful // drums processingHow do drums make sound. Check Details Drum building secrets build a drum set in 10 simple steps free pdfHow To Get That Pro Drum Sound - Make Your Drums Sound Crisp
ANDROID WINDOWS BUSINESS ARCHIVE Category Audio softwareProgram license FreeVersion dany-s-virtual-drum-beta-5-2Size 118.58 MBWorks under: Windows XPProgram available in EnglishProgram by DarkTiger Developments Review Screenshots If you like making music, then this is a program that you might enjoy as it gives you a way to play drums from your computer without interfering with others around you. Instead of beating on drums that are quite loud at times, you can play the drums to your own beat with this simple program. There are several menus and instructions on how to use the drums and how to blend sounds together so that you have the best beat possible. The graphics are amusing as there are a few different backgrounds, such as flames behind the drums. The program is available in English as well as Italian, but it's not available in other common languages that people might know, such as Spanish. To make music, all you have to do is tap the drum pads using the keys on your device. Each drum makes a different sound, and once you figure out how they can be put together, you can start to make your own songs or pick up on tunes that you hear to try to repeat them. The program is easy to download and doesn't take up a lot of space. It can be updated to a point, but there really isn't anything other than drums that you can play with the program. There is a menu at the top of the screen that has pictures for the different sounds sets and the types of drums. You can record what you play to save it on the device. Pros Simple to use Fun drum sounds Easy to downloadCons Too basic No other instruments Top 6 DvDrum Alternatives CapCut 5.5.0.2028 A versatile, free video editor perfect for enhancing short social media videos with advanced features and encryption security TubeMate 5.19.0 Efficiently download videos from various social media platforms with multiple quality options and accelerated speeds Movie Downloader 2.3.0 Efficiently download and manage your favorite movies on Windows Voicemod 3.6.66 Transform your voice in real-time across multiple platforms with diverse effects and soundboards SoundWire Server 2.5 Stream PC audio to Android devices with seamless, efficient connectivity Cubase 10.0.60 Powerful audio editing and music production software with a comprehensive suite of instruments, effects, and recording toolsComments
A banjo. Let’s start with the drums. 1. DrumsHere are the drums with nothing on them:All the tube processing will eventually get us here:There’s a five decibel difference, but even loudness matched, the tubed-up drums have more character, heft, bounce, and drama. Here were the individual moves:Adding power to a kick with multiband tube-based excitement Ozone Exciter, used in multiband, can juice up the power of the kick like so: We’re just adding tube saturation to everything below 120 Hz. That’s it.Helping the kick punch through the drums with heavy-duty tube compressionIn the context of the mix as a whole, I noticed that the kick wasn’t punching through as much as I’d like. Here I used this goody from Native Instruments Guitar Rig 7: I sent the kick to a parallel aux and put this bad boy on the channel. I didn’t do it for any compression effect, no. This thing just has a heavily saturated sound perfect for kick-cut in a mix. I haven’t even touched the settings. It’s all default.Here’s without, in context of the song:And here’s with:Note, I’m exaggerating the bus here; it’s 3 decibels higher than I wound up having it, so you could hear it more. Making a “fake room sound” when no room mics were providedA kick drum, a snare top mic, and two overheads – that’s how these drums were recorded. I wanted more room sound, so I used bus-routing and two tube processors to make a “fake room” channel. First, I sent all the drums to a “fake room mic” bus. In solo it sounds like this:First, I slapped SPL TwinTube on this “fake room” parallel aux. Here’s what the Plugin Alliance processor sounded like: The level of harmonic saturation is already giving me that mid-forward room sound I want. But, there’s
2025-04-03Addictive Drums 2: Custom Collection ReviewXLN Audio Addictive Drums 2 is the perfect drum library VST. It offers an incredible acoustic drum library that is packed with realistic and natural sounds, and the engine that powers the plugin is smooth and easy to use.The sounds included with the XLN Addictive Drums Creative Collection are truly remarkable. They included rare and vintage kits that are so impressive. I find the customization and fine-tuning of the VST to be astounding and it’s one of the best drum VST plugins around.All you need to do is listen to the demos and sound clips of the drum kits on YouTube to hear how good the drums sound, and what they can add to your mixes. The drum sounds are without a doubt some of the most realistic available.The drum software includes 6 of the most popular drum libraries from XLN Audio and over 6,000 grooves to help you find your perfect sound. The on board effects as well as Tone Designer and Transient Shaper are some of the best around.If you’re ready to make the ultimate drum tracks for your mixes then the XLN Audio Addictive Drums 2 is the best drum VST software for the money, period. View Price At Gideon Waxman Most Immersive Toontrack Superior Drummer 3 Superior Drummer 3 builds upon the success of the previous versions with a vast selection of samples that can be shaped and molded as you wish using the onboard effects processor. Sample Quality Detail Onboard
2025-04-03Then set the attack time so the transients are shining through unaffected and the rest of the signal is getting compressed, ultimately making the audio more consistent dynamically. Try the release settings until it fits the song.Compressing Reverb And DelayUsing a compressor on a reverb bus can really tighten up the mix, if the reverb tends to be getting too loud and out of control dynamically. Some heavy compression can sound quite nice but be careful not to over do it and remove the life. The same goes for delay busses, compression can really tame the sound and stop anything from going too out of control. Also, using EQ on a reverb or delay bus is a great tool for removing any potential muddiness that may be happening.Making The Toms PunchCompression on toms can create some amazing results. Using heavy enough compression along with a gate can make your tom drums seriously punchy. Even if you don't have individual tom mics and just an overhead pair, or just a single overhead mic, compression can really make the toms punch out. Think of songs like Shine On You Crazy Diamond by Pink Floyd. The compression on the toms make them really punchy and beefy, really adding to the mix.Make Your Drum Overheads Sound AmazingCompressing the drum overheads is a great way to make your drums pop. You can tame any unwanted transients with the attack and release times. U can really smooth out and make the drums more consistent and make your drums sound a lot better. If your going for a heavier drum sound, you can really brick wall compress the drum overheads and get a really juicy sounding drum sound. Really harsh ratio and threshold setting can make the cymbals ring out for ages combined with a long release
2025-04-20Learning how to record drums can feel a bit overwhelming at first, but don’t worry – with some preparation and the right gear, you’ll be able to achieve that professional-quality drum sound right from your home.To get started, make sure your home recording studio is equipped with essential tools like a Digital Audio Workstation (DAW) and high-quality microphones. Setting everything up correctly and adjusting your recording levels will ensure you capture your best performance.Another crucial aspect is tuning your drums to perfection. When each drum is tuned to its optimal sound, it can greatly enhance the clarity and resonance of your recordings. Table of ContentsAs you delve more into the recording process, keep your focus on maintaining even dynamics and consistent playing. This attention to detail will make a significant difference when mixing your drums, giving your tracks that polished, professional edge.Remember, with a bit of practice and patience, you can make recording drums an enjoyable and rewarding experience. Embrace the journey, and soon you’ll be excited to share your music with the world.Key TakeawaysSetup is crucial for great drum recordings.Tuning impacts the sound quality significantly.Consistent playing enhances the final mix quality.Setting Up Your Home Recording StudioCreating a successful home recording studio for drums requires selecting the right equipment, tuning your drum kit properly, and understanding the importance of acoustic treatment. These elements together ensure high-quality recordings that capture the true essence of your drum sound.Choosing the Right EquipmentTo start, you’ll need a reliable computer with sufficient processing power to
2025-04-09Stage (behind vocals and bass) cutting out some trebles from the reverb signal to create depth or distance. You can give drums some reverb but not too much, just enough to transfer the 3d spatial information, be scarce, only the snare needs a larger reverb or more ambience. Be scarse to use reverb on drums. Only when you mute the reverb, you will notice the change to the dry signal (inside the whole mix, do not solo). Only give enough reverb for drums to transmit the 3d spatial information to the listener. Listen dry and with reverb and decide how much is needed. In the drum section, apply a little less reverb to the Basedrum then to the other drum tracks. The Basedrum can sound flabby when too much reverb is applied. The snare can have a larger and louder reverb. Mostly the reverb tail will end rhythmically short, just before the next beat or bar appears. Reverb can be long (tough interfering with the rhythmic content) and afterwards shortened with a gate, to make them rhythmically stand inside the mix we sync them to tempo when we can. Avoid mud by setting a low cut EQ in front of the reverb or behind (cutting). When reverb is applied on drums, try to make the reverb sound in rhythm with the dry-signal. Maybe by gating the reverb sustain in sync with tempo. Use mostly no pre-delay or Basedrum.Sound: For more Kick drum, use sine-wave 60 Hz, Juno 60 Saw tooth. Set pitch for a high note and run this with the original bass drum, this is a house style bass drum. Combine a short transient kick with the HI hat or with a low frequency release from another. Add a closed HI hat (higher click) on the kick transient part,
2025-04-25The sake of analysis, take a look at the waveform displayed in my DAW for this sample, and we can see that its dynamics need to be contained, as you can even see some peaks almost as high as 0dB.Drums are the backbone of a song, so they need to sound dynamic, open, and exciting, for us to engage with the groove. Overcompressed drums sound dull, lazy, and dead, which basically kills the entire record before it was born.Also, you need to make sure that things are on the right track, or else you’ll be creating new problems with the processing that you’ll still have to fix later on in the mix.To avoid that from happening, check this before thinking about compression:Phase alignmentProper editingGain structureLevel balanceAnd ask yourself why do are you considering using compression and what problem are you looking to solve. How To Set Up Your Compressor For Best ResultsPlease provide example audio throughout this piece to show how to compress drums.1. Proper Gain StructureThis is key. Before applying any sort of processing, you first need to properly set your gain structure. We recommend using a trim plugin or doing it directly to your audio clips depending on your DAW, and setting values that go from -9 dB to -16 dB. Balancing your gain structure will give you a cleaner and more professional sound because most plugins are optimized to work their best at these values, which is especially important when you work with analog gear emulations. This will also prevent you from getting your mixes tarnished by digital clipping, which will cause several problems with aliasing, create unwanted noises, and overall make your mix sound bad and amateur.Hear the difference using the same settings on an SSL channel strip emulation:No gain structureListen to how it sounds overcompressed, bouncy, and even distorted.After gain structureHear how it has way more punch and sounds so much more natural and exciting.2. Choosing The Right Compressor StyleDrums are almost exclusively transient information, so to compress drums you’ll need a compressor with very fast attack and release settings in order to tame down the spikes without destroying their dynamics. That being said, you can’t go wrong with FET and VCA compressors, since they allow the fastest response during processing and lead to a more transparent and natural compression.Listen to the difference between using an 1176 (FET), an API2500 (VCA), and an LA2A (optical).Optical
2025-04-15