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But I thought the background offered a good high contrast look with complimentary colors to test out each color profile.Below are frame grabs from each of the 12 shots so you can view them in full resolution:My Favorite Fuji Film Simulation: Provia / StandardWhile many of the Fuji film simulation modes could work well for filmmakers, the one that I always come back to is Provia / Standard.I’ve outlined my thoughts on this in more depth in my full Fuji X-T4 review here. But in short, Provia gives me the best balance of Fuji’s incredible film-like color tones, without over stylizing the image.There are many scenarios where I might shoot in another mode. For instance, Velvia / Vivid is incredible for landscapes or other exterior shots. But the only Fuji film simulation I would feel confident using as a daily driver is Provia.Some of the other looks – namely Classic Chrome and Eterna Cinema have become fan favorites with filmmakers and photographers alike.But I’ve never found either to be a go-to option for my work. Classic Chrome feels too stylized for most projects, and Eterna needs a lot of work in post to feel less drab. If I’m going to spend time grading the footage, I’ll just shoot F-Log.Free Fuji LUTAfter shooting an entire feature film on the Fuji X-T4, I decided to create my own custom conversion LUT. This is now available for free download at www.cinecolor.io.This LUT is designed to convert F-Log footage to Rec 709 on any of the following Fuji cameras:Fuji X-T5Fuji X-T4Fuji X-T3Fuji X-S10Fuji X-T30Fuji X-Pro3Fuji X-H1Fuji X-H2Fuji X-E4Fuji X100VFuji GFX100Fuji GFX100sThe LUT is based off of Fuji’s native F-Log – Rec 709 conversion LUT, but adds some additional tweaks to contrast, color balance, and saturation to improve overall performance.Click here to download the free

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One of the greatest features that Fuji mirrorless cameras offer is built in film simulation. In this short post I’ll share a quick comparison of each of the 12 Fuji film looks, along with my recommended setting for filmmakers.Most filmmakers shooting with the X-T4 will opt to shoot in F-Log to maximize latitude and give themselves the most flexibility in post. But there are scenarios where you might benefit from shooting with a look baked in. For instance, if you’re working on a project with a very quick turnaround and no dedicated colorist. In a case like this, nailing the look in camera is essential.Thankfully, due to the high bitrate capabilities of the X-T4, even the non-log footage is quite easy to grade and adjust in post. There is some minor dynamic range loss on a technical level (compared to F-Log), but the difference is by no means night and day once you take it into DaVinci Resolve.I recently shot a feature film on the Fuji X-T4, mainly using F-Log to record. But on one shoot day, I mistakenly recorded everything using Provia, and I had no issues at all working with that footage in post, or matching it to the F-Log. If anything, it just sped up my workflow a touch.Fuji Film Simulation ModesBelow is a list of each of the included film simulation modes on the Fuji X-T4:Provia / StandardVelvia / VividAstia / SoftClassic ChromePro Neg HiPro Neg StandardClassic NegEterna CinemaEterna Bleach BypassAcrosMonochromeSepiaFuji Film Simulation Mode ComparisonI just put together a short video, along with some stills of a single shot that was captured with each of the 12 modes.This shot was taken on my Fuji X-T4, locked off on a tripod and shooting through the window in my studio at golden hour. It’s not a scientific test,

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