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Skyler Hartle’s Post Skyler Hartle Senior Manager, Product @ Microsoft Azure Skyler Hartle’s Post. Skyler Hartle I think of stuff and then sometimes make it. 1mo

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Nothing, Forever, an AI-powered Seinfeld spoof show on Twitch, was quickly becoming the next big thing on the platform. During the always-on stream, a cast of Seinfeld-adjacent characters had befuddling conversations, made weird jokes, and moved through a world of crude, blocky graphics, all backed by a laugh track and directed by AI.But then it was suspended for two weeks after the Jerry Seinfeld-like character made transphobic remarks. That suspension is set to lift on Monday, and while its creators at Mismatch Media have been working to make sure transphobic comments won’t happen again, they can’t guarantee it.The transphobic remarks happened after Mismatch changed the AI models underpinning the stream. “We started having an outage using OpenAI’s GPT-3 Davinci model, which caused the show to exhibit errant behaviors,” according to an announcement in the Nothing, Forever Discord. “OpenAI has a less sophisticated model, Curie, that was the predecessor to Davinci. When Davinci started failing, we switched over to Curie to try to keep the show running without any downtime. The switch to Curie was what resulted in the inappropriate text being generated.”In a later post, Mismatch added that “we mistakenly believed that we were leveraging OpenAI’s content moderation system for their text generation models” and that it would be working to implement OpenAI’s content moderation API before the show went live again.“Of course, with software, there’s always variability”Since then, Mismatch has been doing stability testing against that implementation and making sure there aren’t any false negatives, Mismatch co-founder Skyler Hartle said in an interview with The Verge. “So far, it looks really good,” he said. But then, he hedged, saying that “of course, with software, there’s always variability.” I asked Hartle how Mismatch makes sure its guardrails work. “I think that in the space of generative AI and generative media, there is an inherent uncertainty.”He referenced many of the wild things people have already been able to get ChatGPT and the new Bing AI chatbot to say: “I think everybody in this space needs to be worried and thinking about this.” Mismatch Media is tackling this by making an AI “safety council slash team,” Hartle said, which is trying to figure out mitigation strategies so that AI safety measures can evolve alongside generative AI pieces. “We feel very strongly that it’s our duty as people in the generative space to do this as safely as possible.”In addition to leveraging the official OpenAI content moderation API, Mismatch also wants to use OpenAI to assist in the moderation process. “We are working to create guardrails that actually leverage OpenAI to pass our content to them and ask a series of questions and prompts,” Hartle said. Mismatch is “figuring out the right ways to have OpenAI and these large language models help moderate this process. These models are the best thing at parsing natural language right now, so it makes a lot of sense to also try to use them as a secondary system.”Hartle doesn’t expect the tone of Nothing, Forever to change

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Skyler Hartle on LinkedIn: Skyler: hey there, i'm skyler, but you

By designers Skyler Hartle and Brian Habersberger for Mismatch Media, this AI SpongeBob show doesn’t appear to have any public owner or anyone who has claimed the channel as their own. As such, it’s technically possible that the thing isn’t actually being generated exclusively by an artificial intelligence, though if not, it sure manages to capture the feel of AI art.“Nothing, Forever” attracted a large amount of attention when it debuted in December 2022, with thousands of viewers tuning into the livestream; it also spawned a few similar shows, like the 24/7 AI-generated anime “Always Break Time”.At the same time, “Nothing, Forever” raised concerns about how AI programs affect real-life writers, and whether its “Seinfeld” parody infringes on copyright. After returning from its Twitch ban earlier this month, the show notably has rebooted slightly, removing many of the “Seinfeld” trappings that gave it its initial publicity. ai_sponge, at least right now, likely isn’t big enough to attract real legal action from Nickelodeon — though the network would almost certainly not be a fan of a “SpongeBob” parody where the main character and Patrick talk about having sex with each other.You can watch ai_sponge here, when it streams.Best of IndieWireSign up for Indiewire's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.

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AMC Over the course of five seasons, Vince Gilligan's harrowing, New Mexico-set meth-drama Breaking Bad was frequently hailed as the best show on television, and was a top performer for AMC. For 62 grueling episodes of the sun-bleached drug saga, one character was the voice of reason amongst all the insanity: Anna Gunn's Skyler White, the wife of the series' "protagonist" Walter White, played by Bryan Cranston. Unfortunately, her sound advice and reasonable stance on things didn't attract viewers — it repelled them, making Skyler the most hated character on Breaking Bad.That may even be a bit of an understatement. During Breaking Bad's small-screen run, it often felt like Skyler White was the most hated television character ever, if not one of the most despised ones presented in any format. That fact was particularly surprising given that Breaking Bad was full of vile, self-serving characters worthy of hatred – with Cranston's meth kingpin Walt more than deserving the top spot on a list of terrible characters. Still, much of Breaking Bad's fanbase directed its wrath at Gunn's Skyler. Though Skyler did make a few moral missteps throughout the series (like getting frisky with Christopher Cousins' Ted Beneke), she was hardly the shrill, nagging, "ball-and-chain" that people made her out to be. The hate got very real very quickly, and in a 2018 interview with Entertainment Weekly, Gunn herself offered her own take on why the character was so reviled on the show. She told the publication she believed it stemmed mostly from "a combination of sexism, ideas about gender roles," and the structure of the series and its characters. Fans wanted Walter White to be the hero, and began hating Skyler for standing in his way AMC By the time Breaking Bad was airing its fifth and final season in 2013, the Skyler hatred had gotten so bad that Gunn was moved to pen an op-ed in The New York Times that boldly claimed Skyler (and, by association, the actress herself) was at least in part the victim of gender-based double-standards. Gunn further posited that the character "had become a. Skyler Hartle’s Post Skyler Hartle Senior Manager, Product @ Microsoft Azure

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“So, I was at the store the other day, and as I’m checking out, the cashier asks me if I have any coupons, and I say, ‘No coupon problem!’” recalls a pixelated, barely three-dimensional figure that vaguely resembles Jerry Seinfeld. “So I’m walking down the street, and this guy comes up to me and says, ‘Hey, how’s it going?’ and I say, ‘It’s going coupon!’”An automated laugh track plays, but the joke doesn’t make sense. Then again, it doesn’t have to make sense.“Nothing, Forever” is a never-ending, AI-generated spoof of “Seinfeld,” the show about nothing. It’s been streaming on Twitch since December, and until a few days ago, the stream had an average of about four concurrent viewers. Now, at the moment I write this, there are 15,097 people watching a group of badly animated friends — Larry Feinberg, Fred Kastopolous, Yvonne Torres and Zoltan Kalker — cycling through infinite “Seinfeld”-like scenes with very little plot.The show has been streaming almost non-stop on Twitch since December, but it only reached a wider audience this week, when its creators slowly started promoting the stream on Reddit. Now, “Nothing, Forever” has more than 98,000 followers on Twitch, and a Discord channel with about 6,000 members.Behind the project are Skyler Hartle, a senior product manager at Microsoft, and Brian Habersberger, a polymer physicist. They call themselves Mismatch Media, though this venture remains a side project.Aptly, the duo met online while playing “Team Fortress 2” and they kept in touch over time. Four years ago, they started working on creative projects together.Image Credits: Nothing, Forever (opens in a new window)“It kind of started its journey as a kind of art project that Brian approached me with, and we ended up collaborating and working on it together and iterating on it over the last four

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With the additional content moderation systems. That likely means we’ll continue to see the show keep creating more bizarre and irreverent moments, but hopefully this time, there’s no transphobia.Hartle wants to introduce an audience interaction systemHartle also said that Mismatch wants to introduce an audience interaction system that it had previously built but decided not to launch with Nothing, Forever. The system “allows fans to safely interact with the show and potentially massage the direction that the show heads in while still retaining its generative spirit,” according to Hartle. Mismatch hopes to launch the system alongside the lift of the Twitch suspension, but he doesn’t “want to promise anything at this point.”I’m personally skeptical of an audience interaction tool in an application like this. While it could be used in a grand moment of internet unity like the heyday of TwitchPlaysPokemon, I’m worried that it will turn into something like the Tay fiasco. Beyond Nothing, Forever, Mismatch Media wants to build a platform for creators to make shows of their own. “There’s a lot that goes into that, and a lot that we’re figuring out and iterating on, but the plan is to empower, like the next generation of people to do these kinds of things,” Hartle said. The goal is to get this platform up and running within the next six to 12 months. I also asked Hartle something I’ve been wondering since I first watched the show: is the plan actually to make it run forever? “Our hope is to run the show for as long as we can as long as it economically makes sense to do so because it is very expensive,” Hartle said. “But that said, we are building this out as a technology platform. And we want to make more of the shows. If we’re successful at that, and we’re able to build a business up around us, I see no reason why Nothing, Forever shouldn’t run as long as the fans and community want it to run.”

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Deity.In the same vein, “Nothing, Forever” fans try to parse dialogue to learn more about the universe of the show. On Discord, fans requested a new channel to keep track of new lore as it develops; one page on the wiki chronicles what we know from past mentions of aliens. The community also keeps track of Larry’s recurring standup jokes, which are pretty bad (“What do you call a bear with no teeth? A gummy bear.”), but somehow get funnier the more they’re repeated.“The way that the chat is engaging, they’re kind of creating their own memes and their own culture,” said Hartle. “We’ve had people who have reached out wanting to be community mods and have been watching the show for eight hours at a time.”Like “Twitch Plays Pokémon,” the creators of “Nothing, Forever” hope to include audience participation features in the future. Hartle told TechCrunch that there are not currently any interactivity features embedded in the livestream, though some fans began theorizing that they were causing Larry to repeat his jokes by getting excited when he talked about gummy bears again.Mismatch Media hopes they can repurpose the tech stack behind “Nothing, Forever” into an actual system for creating generative media projects. For now, Hartle and Habersberger are taking things slow with their newfound popularity. They’ve been able to make a bit of money from Patreon and Twitch subscriptions, but it’s still unclear how long it will take for the novelty of “Nothing, Forever” to wear off.Sudden virality can’t last forever. “Twitch Plays Pokémon” became an ongoing series after the completion of the first game, but fan engagement dropped drastically once the excitement around the initial experiment died down. Now, we just fondly remember it as a time when the internet felt less hellish, capturing the same lightning in

Skyler Hartle's Speaker Profile @ Sessionize

Who are we and why are we making Kinorium... Premieres Theaters Online Coming Soon Theaters • Online All Titles Advanced Search Collections Top 500 Film Awards Recommendations Movies • TV Shows Search by Name TV Shows Popular Top 500 My TV Shows My Calendar Coming Soon Premieres • Feed Friends Discover Blogs News Videos Trailers Reviews Cry of Fear, 2013 Movie Cast & Crew Videos Stills Facts Awards Premieres Technical Data Related Links Movie's ratings Friends — Kinorium — IMDb 7.8 174 Critics— Movie Cast & Crew Videos Stills Facts Awards Premieres Technical Data Related Links (2013) Country Sweden Spoken Language swedish, english Runtime 3 hr 23 min Budget $999 Premiere: World April 25, 2013 Premiere: USA April 25, 2013 Production Companies 20th Century Fox Home Entertainment Horror Сast and Crew Stars Chace Crawford Mike Brandon Hemmings Simon Holland Roden Lydia Full Cast Director Skyler Harris Camera Skyler Harris Writer Skyler Harris Composer Skyler Harris Producer Skyler Harris All Crew Director Skyler Harris Camera Skyler Harris Writer Skyler Harris Composer Skyler Harris Producer Skyler Harris Editor Skyler Harris Related Movies There are no related titles yet, but you can add them: Add a short review 280 characters Or write an article... Sign up and you will see here friends impressions of the movie. Movies by 20th Century Fox Home Entertainment 4.4 Wrong Turn 4: Bloody Beginnings 2011 5.7 In the Blood 2013 4.1 Wrong Turn 5 2012 4.8 Mirrors 2 2010 4.4 Tooth Fairy 2 2012 4.9 Marley & Me:. Skyler Hartle’s Post Skyler Hartle Senior Manager, Product @ Microsoft Azure

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Years,” Hartle told TechCrunch. “The show we’re creating is really cool, and scratches that creative itch as just a surreal, fun kind of project, but we saw the merit of generative technology as a tool for broad-scale content creation and generation.”To make “Nothing, Forever,” Hartle and Habersberger use various AI models to generate text, speech and movements. The “script” of the show comes from an OpenAI GPT-3 model, Davinci. To voice the characters, they use the Microsoft Azure Cognitive Services speech API, and the visuals are made on the Unity game engine.“The Unity engine just does a lot of interpretation to basically run the show and inherit all this content, and the voices, and all these kinds of other pieces of direction from what we call ‘the director’ in the cloud,” Hartle said. “And the director dictates what happens on the show from a generative perspective.”They set out to create a surrealist, never-ending television show, and it simply made sense to base it on “Seinfeld,” a show that has defined the structure of a sitcom.“A sitcom has a laugh track and a sort of formulaic structure,” Habersberger told TechCrunch. “So when characters are saying things that don’t quite make sense, but the structure is one that you’re very familiar with, it really helps you to interpret and make sense of it, even though the sense isn’t there.”AI dialogue can get repetitive. Characters are constantly referencing new restaurants and stores to the point that it’s become an in-joke. On a fan-made “Nothing, Forever” bingo generator, the free space is “New thing!”Per the nascent wiki, some new places include a new type of bagel (it’s shaped like an octopus, and called the octobagel), a new shake shop (they serve pickles in their shakes), a new taco truck (they sell tacos and burgers)

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Skyler Higley is one of the newest up-and-coming comedians and writers in the Chicago comedy industry, according to Laugh Factory. In addition, he has written for After Midnight, Conan, and The Onion. On March 3, Skyler Higley, who penned jokes for the Oscars, posted the following tweet on X:"wrote the Kendrick Lamar joke and bet our executive producer $50 that it would kill. just made $50."Kendrick Lamar recently performed his famous Drake diss track, Not Like Us, during the halftime show at Super Bowl LIX. Additionally, he also got Drake's ex, Serena Williams, to perform on the song, which added to the ongoing feud.At the 97th Academy Awards, the host, Conan O'Brien, took a dig at the ongoing feud between Drake and Kendrick Lamar by saying:"Well, we're halfway through the show, which means it's time for Kendrick Lamar to come out and call Drake a p*dophile."This was a reference to the Super Bowl LIX Halftime show. Not Like Us was released in May 2024. After the increased popularity of the diss track, Drake's team took legal action in a Manhattan court in November 2024, accusing UMG, the label that manages Kendrick Lamar and Drake, of unfairly increasing the diss track's popularity.Conan O'Brien added another statement regarding the court filing by adding:"Don't worry. I'm laweryed up."When Conan delivered the joke, it received a strong reaction from the people, proving Higley right. Ultimately, he won the $50 bet made with the executive producer.Who is Skyler Higley?Skyler Higley is a stand-up comedian and a TV writer who has also been featured on multiple YouTube comedy videos. After making the journey from Salt Lake City, Utah, Skyler found a home in the Chicago comedy scene and pursued his dream of becoming a stand-up comedian.Skyler Higley has also worked as a staff writer on After. Skyler Hartle’s Post Skyler Hartle Senior Manager, Product @ Microsoft Azure

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Throughout Breaking Bad's run, the beloved AMC series introduced all manner of drug dealers, murderers, and generally Bad Dudes while sending its protagonist, Walter White (Bryan Cranston), down a darker and darker path himself. But, at the time, few characters got more hate than Walter's own wife, Skyler.History, however, is proving to be a little kinder to Skyler. Anna Gunn, the actress who played Skyler White from 2008 through 2013, says as much in a recent interview with The Hollywood Reporter to promote her new Apple TV+ series Sugar. In it, she looks back at the hate she received at the time - which, she notes, was mostly confined to the internet - as well as how attitudes have changed over the past decade."It did become alarming when it turned violent," she remembers. "Sometimes, the comments could turn threatening or violent, and that concerned me. So I just didn’t want to feel bullied by all that, and I felt that it was my responsibility to stand up and answer to it, which is what I did."Gunn's referring to an op-ed she wrote for The New York Times as Breaking Bad was finishing its run titled "I Have a Character Issue." In the op-ed, she wrote about the fan forums and Facebook pages dedicated to hating her character, writing that she "was unprepared for the vitriolic response (Skyler) inspired."Skyler White was so hated at the time of Breaking Bad airing that Anna Gunn wrote a New York Times op-ed about it. (Image credit: AMC)"So I really just had to go through that ring of fire, for lack of a better phrase, to understand that a lot of it was, frankly, misogynistic," she says in the THR interview."And now, when people come up to me, it’s incredibly different because of all the seismic changes that have happened," she continues. "There’s still a long way to go, but we really have made seismic changes since then. So people come up to me now and say, 'You were the linchpin for me. You were the conscience of the show. You were what pulled me into the show.' Or they say, 'The first time I watched it, I hated that character. But the second time I watched it, I realized, ‘Oh my God, that poor woman.’ "The hate toward both Skyler and Gunn is something even Breaking Bad creator Vince Gilligan has slammed in retrospect, telling the New Yorker in a 2022 interview: "I can tell you it always troubled me, because Skyler, the character, did nothing to deserve that. And Anna certainly did nothing to deserve that. She played the part beautifully.”"People come up to me now and say, 'You were the linchpin for

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Nothing, Forever, an AI-powered Seinfeld spoof show on Twitch, was quickly becoming the next big thing on the platform. During the always-on stream, a cast of Seinfeld-adjacent characters had befuddling conversations, made weird jokes, and moved through a world of crude, blocky graphics, all backed by a laugh track and directed by AI.But then it was suspended for two weeks after the Jerry Seinfeld-like character made transphobic remarks. That suspension is set to lift on Monday, and while its creators at Mismatch Media have been working to make sure transphobic comments won’t happen again, they can’t guarantee it.The transphobic remarks happened after Mismatch changed the AI models underpinning the stream. “We started having an outage using OpenAI’s GPT-3 Davinci model, which caused the show to exhibit errant behaviors,” according to an announcement in the Nothing, Forever Discord. “OpenAI has a less sophisticated model, Curie, that was the predecessor to Davinci. When Davinci started failing, we switched over to Curie to try to keep the show running without any downtime. The switch to Curie was what resulted in the inappropriate text being generated.”In a later post, Mismatch added that “we mistakenly believed that we were leveraging OpenAI’s content moderation system for their text generation models” and that it would be working to implement OpenAI’s content moderation API before the show went live again.“Of course, with software, there’s always variability”Since then, Mismatch has been doing stability testing against that implementation and making sure there aren’t any false negatives, Mismatch co-founder Skyler Hartle said in an interview with The Verge. “So far, it looks really good,” he said. But then, he hedged, saying that “of course, with software, there’s always variability.” I asked Hartle how Mismatch makes sure its guardrails work. “I think that in the space of generative AI and generative media, there is an inherent uncertainty.”He referenced many of the wild things people have already been able to get ChatGPT and the new Bing AI chatbot to say: “I think everybody in this space needs to be worried and thinking about this.” Mismatch Media is tackling this by making an AI “safety council slash team,” Hartle said, which is trying to figure out mitigation strategies so that AI safety measures can evolve alongside generative AI pieces. “We feel very strongly that it’s our duty as people in the generative space to do this as safely as possible.”In addition to leveraging the official OpenAI content moderation API, Mismatch also wants to use OpenAI to assist in the moderation process. “We are working to create guardrails that actually leverage OpenAI to pass our content to them and ask a series of questions and prompts,” Hartle said. Mismatch is “figuring out the right ways to have OpenAI and these large language models help moderate this process. These models are the best thing at parsing natural language right now, so it makes a lot of sense to also try to use them as a secondary system.”Hartle doesn’t expect the tone of Nothing, Forever to change

2025-03-28
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By designers Skyler Hartle and Brian Habersberger for Mismatch Media, this AI SpongeBob show doesn’t appear to have any public owner or anyone who has claimed the channel as their own. As such, it’s technically possible that the thing isn’t actually being generated exclusively by an artificial intelligence, though if not, it sure manages to capture the feel of AI art.“Nothing, Forever” attracted a large amount of attention when it debuted in December 2022, with thousands of viewers tuning into the livestream; it also spawned a few similar shows, like the 24/7 AI-generated anime “Always Break Time”.At the same time, “Nothing, Forever” raised concerns about how AI programs affect real-life writers, and whether its “Seinfeld” parody infringes on copyright. After returning from its Twitch ban earlier this month, the show notably has rebooted slightly, removing many of the “Seinfeld” trappings that gave it its initial publicity. ai_sponge, at least right now, likely isn’t big enough to attract real legal action from Nickelodeon — though the network would almost certainly not be a fan of a “SpongeBob” parody where the main character and Patrick talk about having sex with each other.You can watch ai_sponge here, when it streams.Best of IndieWireSign up for Indiewire's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.

2025-04-24
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“So, I was at the store the other day, and as I’m checking out, the cashier asks me if I have any coupons, and I say, ‘No coupon problem!’” recalls a pixelated, barely three-dimensional figure that vaguely resembles Jerry Seinfeld. “So I’m walking down the street, and this guy comes up to me and says, ‘Hey, how’s it going?’ and I say, ‘It’s going coupon!’”An automated laugh track plays, but the joke doesn’t make sense. Then again, it doesn’t have to make sense.“Nothing, Forever” is a never-ending, AI-generated spoof of “Seinfeld,” the show about nothing. It’s been streaming on Twitch since December, and until a few days ago, the stream had an average of about four concurrent viewers. Now, at the moment I write this, there are 15,097 people watching a group of badly animated friends — Larry Feinberg, Fred Kastopolous, Yvonne Torres and Zoltan Kalker — cycling through infinite “Seinfeld”-like scenes with very little plot.The show has been streaming almost non-stop on Twitch since December, but it only reached a wider audience this week, when its creators slowly started promoting the stream on Reddit. Now, “Nothing, Forever” has more than 98,000 followers on Twitch, and a Discord channel with about 6,000 members.Behind the project are Skyler Hartle, a senior product manager at Microsoft, and Brian Habersberger, a polymer physicist. They call themselves Mismatch Media, though this venture remains a side project.Aptly, the duo met online while playing “Team Fortress 2” and they kept in touch over time. Four years ago, they started working on creative projects together.Image Credits: Nothing, Forever (opens in a new window)“It kind of started its journey as a kind of art project that Brian approached me with, and we ended up collaborating and working on it together and iterating on it over the last four

2025-04-09
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With the additional content moderation systems. That likely means we’ll continue to see the show keep creating more bizarre and irreverent moments, but hopefully this time, there’s no transphobia.Hartle wants to introduce an audience interaction systemHartle also said that Mismatch wants to introduce an audience interaction system that it had previously built but decided not to launch with Nothing, Forever. The system “allows fans to safely interact with the show and potentially massage the direction that the show heads in while still retaining its generative spirit,” according to Hartle. Mismatch hopes to launch the system alongside the lift of the Twitch suspension, but he doesn’t “want to promise anything at this point.”I’m personally skeptical of an audience interaction tool in an application like this. While it could be used in a grand moment of internet unity like the heyday of TwitchPlaysPokemon, I’m worried that it will turn into something like the Tay fiasco. Beyond Nothing, Forever, Mismatch Media wants to build a platform for creators to make shows of their own. “There’s a lot that goes into that, and a lot that we’re figuring out and iterating on, but the plan is to empower, like the next generation of people to do these kinds of things,” Hartle said. The goal is to get this platform up and running within the next six to 12 months. I also asked Hartle something I’ve been wondering since I first watched the show: is the plan actually to make it run forever? “Our hope is to run the show for as long as we can as long as it economically makes sense to do so because it is very expensive,” Hartle said. “But that said, we are building this out as a technology platform. And we want to make more of the shows. If we’re successful at that, and we’re able to build a business up around us, I see no reason why Nothing, Forever shouldn’t run as long as the fans and community want it to run.”

2025-03-29
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Who are we and why are we making Kinorium... Premieres Theaters Online Coming Soon Theaters • Online All Titles Advanced Search Collections Top 500 Film Awards Recommendations Movies • TV Shows Search by Name TV Shows Popular Top 500 My TV Shows My Calendar Coming Soon Premieres • Feed Friends Discover Blogs News Videos Trailers Reviews Cry of Fear, 2013 Movie Cast & Crew Videos Stills Facts Awards Premieres Technical Data Related Links Movie's ratings Friends — Kinorium — IMDb 7.8 174 Critics— Movie Cast & Crew Videos Stills Facts Awards Premieres Technical Data Related Links (2013) Country Sweden Spoken Language swedish, english Runtime 3 hr 23 min Budget $999 Premiere: World April 25, 2013 Premiere: USA April 25, 2013 Production Companies 20th Century Fox Home Entertainment Horror Сast and Crew Stars Chace Crawford Mike Brandon Hemmings Simon Holland Roden Lydia Full Cast Director Skyler Harris Camera Skyler Harris Writer Skyler Harris Composer Skyler Harris Producer Skyler Harris All Crew Director Skyler Harris Camera Skyler Harris Writer Skyler Harris Composer Skyler Harris Producer Skyler Harris Editor Skyler Harris Related Movies There are no related titles yet, but you can add them: Add a short review 280 characters Or write an article... Sign up and you will see here friends impressions of the movie. Movies by 20th Century Fox Home Entertainment 4.4 Wrong Turn 4: Bloody Beginnings 2011 5.7 In the Blood 2013 4.1 Wrong Turn 5 2012 4.8 Mirrors 2 2010 4.4 Tooth Fairy 2 2012 4.9 Marley & Me:

2025-04-14

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